备注：已完结
类型：剧情片
主演：克里斯特尔·博登斯坦
语言：其它
年代：未知
简介：前东德最好的一部超现实主义幻想剧！ this is one of the most amazing looking,surreal films of all time and i only recently acquired it on video.it was just as good after fond childhood memories of it.highly recommended,with great special effects,and stunning set design,and vivid colour and cinematography.buy with confidence! This is as you remember watching it as a child. Lifelike, overtly coloured and full of magical splendor, terrifying nasties and surreal characters. In short, do not shy away from this opportunity to show a Christmas Special to your children in favour of the usual fare from Disney and co. Rather, pop a fresh batch of pop corn, get first dibs on the comfy chair and opt for what was arguably one of the highlights of East German children's programming.
备注：已完结
类型：剧情片
语言：英语
年代：未知
简介：富有的工业家丹蒂·比拉迪内里离开工厂时在女儿面前被绑eee。鉴于绑匪的凶残本性，长官们要求万利瑞奥指挥的特种部队参与营救。也因此将患有严重心脏病的七岁女孩史戴拉和他的父亲分开了。父亲又一次让女儿失望，因为工作要求又不能陪女儿了。因为这次任务，万利瑞奥不得不从最勇敢的战士中选出最勇敢的四个人和他一起参加行动，尽管这四个人没有任何经验。随着事件错综复杂的不断发展，绑匪似乎越来越贪婪，他们不断撕毁协议，给警方采取最后行动制造困难。r万利瑞奥的内心在责任感和重病中的女儿之间斗争着，最后他决定把工作放在第二位，回到病床上女儿的身边。就在这时，小组中的每一个成员都发现他们不得不在个人问题和共同的任务之间做出抉择。行动已经开始，不到最后决战不会停止。所有的人物命运最终都将发生改变。小组成员们从最初的勾心斗角变成现在敢于冒生命危险的团结的整体，而史戴拉也挺过了医院的手术，她将重新建立对父亲的信任。
备注：已完结
类型：爱情片
语言：其它
年代：未知
简介：30岁的劳拉（桑德拉·切卡莱利 Sandra Ceccarelli 饰）一直渴望能够成为一名演员，然而，她的运气不太好，表演天赋始终没能够得到挖掘，星途一片黯淡。某日，在影片《茶花女》的试镜中，劳拉大放异彩，吸引了大明星史蒂芬洛（卢伊吉洛·肖卡 Luigi Lo Cascio 饰）的注意，史蒂芬洛把本该由自己的好友基娅拉（格拉迪亚·兰芝 Galatea Ranzi 饰）所扮演的女主角一角给予了劳拉，一直对史蒂芬洛心存爱慕的基娅拉选择了接受，并且扮演了剧中的一个配角。 影片正式开拍了，随着剧情的推进，劳拉、史蒂芬洛和基娅拉三人之间的关系也变得越来越复杂起来。当劳拉的才华逐渐被旁人发现并且接受时，史蒂芬洛心中浮现出的是嫉妒的心情。
备注：已完结
类型：剧情片
语言：英语
年代：未知
简介：道林格雷（彼得·弗斯 Peter Firth 饰）是一个出生非常卑微的穷小子，在一次机缘巧合之下结识了著名画家巴兹尔（约翰·吉尔古德 John Gielgud 饰）和绅士亨利，在两人的引荐之下，道林格雷接触到了巴黎上流社交圈的奢靡生活，就此无法自拔。巴兹尔为道林格雷画了一副肖像画，将他美丽的身体描摹得栩栩如生，这幅画已经流入市场就引发了圈内各路人士的热烈讨论与赞美，道林格雷也就此成为了圈中名人。 之后，道林格雷邂逅了名为塞西莉亚的女子，塞西莉亚是一位美丽的剧场演员，没过多久，两人就坠入了情网之中，决定邂逅步入婚姻的殿堂。当亨利得知道林格雷即将结婚的消息大为震惊，他用花言巧语诱骗道林格雷抛弃塞西莉亚，最终导致了他们两人感情的破裂。
备注：已完结
类型：剧情片
主演： .
语言：英语
年代：未知
简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
备注：已完结
类型：恐怖片
语言：英语
年代：未知
简介：A homicidal maniac is accidentally released from a hospital because of a computer error and heads to the site of his past murders to continue his penchant for mayhem. Dr. Joan Gilmore takes off after him while the hospital administrators cover up the mistake and send some staff thugs out to get...
